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Born and raised in Hong Kong, her wide-ranging artistic output covers the traditional acoustic compositions for instruments and voice, experimental interactive electroacoustic works to creative multimedia theatre collaborations. She is the co-curator of The Missing Link, a publicly funded two-year project comprising a series of arts technology exhibitions, immersive performance, and open lectures on the use of technology in arts in modern times. Law worked as a Visiting Scholar at Queen’s University Belfast on a project funded by the Arts Council of Northern Ireland. 

Classically trained in her early years, Law steered her focus towards electroacoustic music composition whilst studying for her master’s degree at Ball State University in the United States. Law’s pieces and installations have been premiered and exhibited internationally at various events and festivals. Her doctoral research was on the use of gestures in electroacoustic music, in particular everyday gestures used by musicians and non-musicians alike, which Law manages to incorporate in some of her works by translating gestures into sound and images. Law was granted the Fulbright Research Scholar Award in 2014 to conduct a 10-month research project at the Louisiana Digital Media Centre. The research culminated in the Soft Instruments Project which developed prototypes of electronic music interfaces custom-made for people with developmental disability, who are at higher risk of sustaining unintentional injury in the music making process.

羅穎綸

於香港,2004年以鋼琴演奏考進香港浸會大學音樂系,其後轉修聲樂及作曲,師承中國作曲家崔世光先生及及演藝學院講師徐慧女仕。2007年畢業後獲全奬學金到美國印第安那州立波爾大學繼續升學,主修聲樂及作曲。於2008年的全國音樂教師協會的區域(印第安那)聲樂比賽獲首奬。其後開始鑽研電子作曲,在美期間發表多個電子互動音樂作品。

羅穎綸於2010年畢業回到香港浸會大學開始了她的博士研究,並於2016年取得博士學位。她的博士研究是電子音樂中手勢的使用,特別是通過將日常手勢演勢轉化為聲音和圖像的研究。除了傳統器樂作曲外,她的專研包括互動音樂及聲音裝置藝術,作品曾在多個研討會及音樂節發表,包括第13屆新樂器介面國際會議(韓國首爾)、實驗聲音(布爾諾,捷克)美國作曲家協會第六區會議(得克薩斯州,美國),密蘇里州新音樂節(密蘇里州,美國)、soundSCAPE音樂節(意大利)、2013國際電腦音樂與音訊技術研討會(台北)及香港藝術節。羅穎綸獲得富布賴特研究奬贊助,於2014年九月到美國路易斯安那州立大學數碼媒體中心進行10個月的研究。研究如何透過電子樂器設計幫助發展障礙人士更安全地在音樂治療過程中更安全地便用敲擊樂器。

 

在美國回港後在香港大學音樂系及香港城巿大學創意媒體學院兼職講師。去年在貝爾法斯特女王大學擔任訪問學者,參與一個由北愛爾蘭藝術委員會資助的聲音藝術項目。旅居愛爾蘭期間,羅穎綸繼續她在香港的策展工作,為為期兩年的科藝系列《連繫不明》策劃及統籌。計劃由藝能發展資助,包括一系列藝術技術展覽、沉浸式表演和關於科技應用於現代藝術中的公開講座。

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