Born and raised in Hong Kong, her diverse artistic portfolio spans traditional acoustic compositions for instruments and voice, experimental interactive electroacoustic works, and interdisciplinary multimedia theatre collaborations. She served as co-curator of The Missing Link, a publicly funded, two-year initiative in Hong Kong featuring a series of arts and technology exhibitions, immersive performances, and open lectures exploring the role of technology in contemporary art. In 2022–23, she was a Visiting Scholar at Queen’s University Belfast, working on a project supported by the Arts Council of Northern Ireland. She is also the founder of Castle Voices, a community choir based in Carrickfergus. Since its establishment in 2023, the choir has grown to approximately 60 members and has been actively performing in the region.
Classically trained in her early years as a composer and singer, Law steered her focus towards electroacoustic music composition whilst studying for her master’s degree. Law’s pieces and installations have been premiered and exhibited internationally at various events and festivals. Her doctoral research was on the use of gestures in electroacoustic music, in particular everyday gestures used by musicians and non-musicians alike, which Law manages to incorporate in some of her works by translating gestures into sound and images. Law was granted the Fulbright Research Scholar Award in 2014 to conduct a 10-month research project at the Louisiana Digital Media Centre. The research culminated in the Soft Instruments Project which developed prototypes of electronic music interfaces custom-made for people with developmental disability, who are at higher risk of sustaining unintentional injury in the music making process.
Law began her studies at the Hong Kong Baptist University (HKBU) majoring in composition and voice. After graduating from HKBU, she was sponsored to study at Ball State University in the United States majoring in voice and music composition for her master degree. Law returned to Hong Kong and obtained her PhD in 2016 under the supervision of Prof. Christopher Keyes at HKBU. She studied voice with Katusha Tsui-Fraser and Dr. Mei Zhong, and was the winner of the regional (Indiana) audition of the National Association of Teachers of Singing in the United States in 2008.
羅穎綸
羅氏出生及成長於香港，其多元化的藝術創作涵蓋傳統聲樂與樂器的原聲音樂作品、實驗性互動電子聲學作品，以及跨學科多媒體戲劇合作。她曾擔任《The Missing Link》的聯合策展人，該計劃是一項為期兩年的香港公眾資助藝術與科技展覽計劃，包括沉浸式表演及公開講座，探討科技在當代藝術中的角色。2022至2023年間，她以訪問學者身份於英國貝爾法斯特女王大學從事研究，該項目獲得北愛爾蘭藝術委員會支持。此外，她亦是位於卡里克弗格斯（Carrickfergus）的社區合唱團 Castle Voices 的創辦人。自 2023 年成立以來，該合唱團已發展至約 60 名成員，並積極參與當地演出。
羅氏自幼接受古典音樂訓練，主修作曲及聲樂。攻讀碩士學位期間，她將重心轉向電子聲學音樂創作。她的作品及裝置曾於多個國際藝術節及展覽中發表。她的博士研究專注於電子聲學音樂中的「動作」應用，特別是音樂家及非音樂家日常使用的手勢。羅氏成功將此概念融入作品，透過將手勢轉化為聲音與影像來進行創作。2014 年，她獲得美國「傅爾布萊特研究學者獎」（Fulbright Research Scholar Award），前往路易斯安那數位媒體中心進行為期 10 個月的研究。該研究最終發展出「軟樂器計劃」（Soft Instruments Project），研製專為發展障礙人士設計的電子音樂界面，讓他們能在降低意外受傷風險的情況下參與音樂創作。
羅氏於香港浸會大學（HKBU）開始其音樂學習之路，主修作曲及聲樂。畢業後，她獲獎學金前往美國鮑爾州立大學（Ball State University）深造，攻讀碩士學位，專修聲樂及音樂創作。回港後，她於 2016 年在浸會大學取得博士學位，師從 Christopher Keyes 教授。她曾師從徐慧女士及鍾梅博士學習聲樂，並於 2008 年獲得美國「全國聲樂教師協會」（NATS）印第安納州區域選拔賽冠軍。